Some architectural structures built in the period still remain today. Wooden buildings at Hōryū-ji, built in the seventh century, show some influence from Chinese and west Asian countries. For instance, the pillars at Hōryū-ji are similar to the pillars of the Parthenon of ancient Greece, as seen in their entasis. The five-storied pagoda (五重の塔 go-jū no tō) is a transformation from the Indian mound-like reliquary structure called a stupa. In addition, mural paintings in the Takamatsuzuka and Kitora kofun dating from the fifth century show strong influence from Tang dynasty and Goguryeo wall painting.^[14][15]

The Japanese Buddhist sculpture art of this period is believed to have followed the style of the Six Dynasties of China. The characteristics of the sculptures of this age are also referred to as Tori Style, taken from the name of prominent sculptor Kuratsukuri Tori, grandson of Chinese immigrant Shiba Tatto.^[16] Some of the characteristics of the style include marked, almond-shaped eyes, and symmetrically arranged folds in the clothing. The most striking and distinguishing feature of these sculptures is an expression of the smile that is called the “archaic smile“. Kudara Kannon at Hōryū-ji is the most prominent Buddhist sculpture from this period.

CREDIT: Wikipedia

The Asuka period (飛鳥時代 Asuka jidai) was a period in the history of Japan lasting from 538 to 710 (or 592 to 645), although its beginning could be said to overlap with the preceding Kofun period. The Yamato polity evolved greatly during the Asuka period, which is named after the Asuka region, about 25 km south of the modern city of Nara.

The Asuka period is characterized by its significant artistic, social, and political transformations, having their origins in the late Kofun period but largely affected by the arrival of Buddhism from China. The introduction of Buddhism marked a change in Japanese society. The Asuka period is also distinguished by the change in the name of the country from Wa (倭) to Nihon (日本).

CREDIT: Wikipedia